Tag Archives: society

cni00034509_000780

Made Possible by the Printing Historical Society has added a photo to the pool: cni00034509
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cni00043346_000450

Made Possible by the Printing Historical Society has added a photo to the pool: cni00043346
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cni00043346_000449

Made Possible by the Printing Historical Society has added a photo to the pool: cni00043346
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cni00043346_000442

Made Possible by the Printing Historical Society has added a photo to the pool: cni00043346
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cni00043346_000431

Made Possible by the Printing Historical Society has added a photo to the pool: cni00043346
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cnp00459909_000221

Made Possible by the Printing Historical Society has added a photo to the pool: cnp00459909
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cnp00000000_000213

Made Possible by the Printing Historical Society has added a photo to the pool: cnp00000000
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signals

2nysis has added a photo to the pool:
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ysinembargomagazine19_Página_40 (cisco garcia)

fernandoprats has added a photo to the pool: "superF#isSue" mar.abr.may.2009 Published on 21.03.2009 | otoñosurprimaveranorte | ISBN 978-1-4092-7341-7 ON PAPER PDF NAVIGATE it ZIP (ñ) SuperF#isSue , YSE #19: Lo convencional, y el gesto vacío/vaciado. Los efectos de una sociedad centrífuga e hipócrita, desmemoriada y autorreferencial, en fuga permanente, donde ya nadie se plantea o cuestiona nada de ninguna cosa. ¿Qué historias nos cuentan los Medios? ¿Cuáles son las que se validan desde el territorio artístico-cultural, hoy? ¿Qué “no-efectos” producen? ¿Cuál es su orígen? ¿Cómo se vacían de mensajes? ¿Qué lugar puede tener actualmente cualquier otra historia que no sea la propia historia (es decir “la personal”)? ¿Qué rincón puede reclamar la ironía ante una competencia discursiva abrumadoramente (a)plana(da)? // (a)plana(dora)? ¿Son posibles los meta-relatos cuando no hay siquiera narraciones (que no sean puro cuento)? ¿Queda/Hay una audiencia posible para cualquier clase de meta-relato? ¿Cómo agitar/sublevar al espectador/usuario? ¿Tiene sentido hacerlo? Si el pasado y el presente co-existen: ¿Es sensato creer que, al fin y al cabo, el movimiento es un movimiento cíclico? Y si así fuere ¿hacia dónde se dirigen estas fugas, entonces? ¿A cuánto cotiza la sensatez en el mercado? ¿Por sensatez se entiende (el nefasto) ’sentido común’? ¿Es sensato no ser hipócrita? No lo recuerdo… ¿Puede haber memoria cuando no hay crítica? La automatización. El ‘querer pertenecer’, sin preguntarse el cómo, el qué o el para qué. La esquizofrenia, la histeria, el pánico, la ausencia, la velocidad virtual y la ansiedad. ¿Cuál es el rostro, cuál el miembro que responde cuando responde en plan autómata a unos estímulos que nada estimulan, obstinados en un recorrido que va de “w” a “w” exhalando: wows a troche y moche. (e) SuperF#isSue : the conventional and the empty/emptied gesture. The effects of a centrifugal and hypocritical, forgetful and self-referential society, in permanent escape, where nobody raises a matter or questions anything anymore. What stories do the Media tell us? Which ones are validated from the artistic-cultural territory today? What “no-effects” do they produce? Which is their origin? How are they emptied out of their messages? What place is there currently for any other History but one’s own history (this is, the “personal” one)? What corner can irony claim against a overwhelmingly flat(tened) // flat(tener) discursive competition? Are meta-narrations possible when there are not even narrations (other than fairy tales)? Is there left/is there a possible audience for any kind of meta-narration? How to agitate/sublevate the spectator/user? Is there any point in doing it? If past and present co-exist: is it wise to believe that, in the end, movement is a cyclic movement? And if it is, where are these escapes directed towards, then? How is sense valued in the market? Is sense understood as (the disastrous) “common sense”? Is it sensible to not be hypocritical? I can’t remember… Can there be memory when there is no critic? The automatization. The “wish to belong”, without wondering how, what, or what for. The schizophrenia, the hysteria, the panic, the absence, the virtual speed and the anxiety. Which is the face, which the limb that reacts when it reacts as an automaton to stimuli that do not stimulate, tenacious in a trajectory going from “w” to “w” exhaling wows thoughtlessly? # # # edit(ing), direct(ing) + complements fernando prats art direct(ing) + design(ing) estudi prats colacao, correct(ing) + additional stuff rivera valdez translat(ing) alicia pallas original music nevus project / albert jordà original video raquel barrera sutorra listen(ing) hernán dardes open(ing) doors skin abstracts x manuel diumenjo open(ing) walls effberliner mauer frontcover(ing) im(a)g horadé by fp highlights from : roman aixendri santi balmes jordi calvet lucky clov brancollina hernán dardes manuel diumenjo oriol espinal cisco garcia olivier gilet julian gomez jose javier gonzález rebecca lathrop leah leone pancho lorenz marie c. francesca mazzucato nirvana sq natalia osiatynska bàrbara palacios paula palombo alicia pallas fernando prats red nails; wrong city jef safi jaclyn sollars rivera valdez rodolfo vanmercke a b r e l a m u r a l l a a coruña antwerp barcelona bruxelles buenos aires bologna bruxelles burgos campredó caracas dublin geneva girona grenoble iowa city lima london madrid mexicali montreal paris portland tarragona warsaw # # # YSE #19 Original Music | YSE #19 Original Video | YSElected videos # # # Official WEBsite | MySpace | Flickr Group | Facebook | Twitter
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